檢視魏良輔曲律/10 的原始碼

<p>一、北曲以遒勁為主，南曲以宛轉為主，各有不同。至於北曲之絃索，南曲之鼓板，猶方圓之必資於規矩，其歸重一也。故唱北曲而精于<span class="書名">呆骨朵</span>、<span class="書名">村里迓鼓</span>、<span class="書名">胡十八</span>，南曲而精于<span class="書名">二郎神</span>、<span class="書名">香徧滿</span>、<span class="書名">集賢賓</span>、<span class="書名">鶯啼序</span>；如打破兩重禪關，餘皆迎刃而解矣。</p>

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