檢視顧曲雜言/雜劇的原始碼

<h3 class="th3a"><span class="條題">雜劇</span></h3>
<p>北雜劇已為<span class="專名">金</span>、<span class="專名">元</span>大手擅勝場，今人不復能措手。曾見<span class="專名">汪太函</span>四作，為<span class="書名">宋玉高唐夢</span>、<span class="書名">唐明皇七夕長生殿</span>、<span class="書名">范少伯西子五湖</span>、<span class="書名">陳思王遇洛神</span>，都非當行。惟<span class="專名">徐文長</span><span class="專名">渭</span><span class="書名">四聲猿</span>盛行，然以詞家三尺律之，猶河漢也。<span class="專名">梁伯龍</span>有<span class="書名">紅線</span>、<span class="書名">紅綃</span>二雜劇，頗稱諧穩，今被俗優合為一大本南曲，遂成惡趣。近年獨<span class="專名">王辰玉</span>太史<span class="專名">衡</span>所作<span class="書名">真傀儡</span>、<span class="書名">沒奈何</span>諸劇，大得<span class="專名">金</span>、<span class="專名">元</span>本色，可稱一時獨步。然此劇但四折，用四人各唱一折，或一人共唱四折，故作者得逞其長，歌者亦盡其技；<span class="專名">王</span>初作<span class="書名">鬱輪袍</span>，乃多至七折，其<span class="書名">真傀儡</span>諸劇，又只以一大折了之，似尚隔一塵。頃<span class="專名">黃貞甫</span><span class="專名">汝亨</span>以<span class="專名">進賢</span>令內召還，貽<span class="專名">湯義仍</span>新作<span class="書名">牡丹亭記</span>，真是一種奇文。未知於<span class="專名">王實甫</span>、<span class="專名">施君美</span>如何，恐斷非近日諸賢所辦也。<span class="專名">湯</span>詞係南曲，因論北詞，附及之。</p>

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