檢視顧曲雜言/舞名的原始碼

<h3 class="th3a"><span class="條題">舞名</span></h3>
<p>頃在<span class="專名">梁溪</span><span class="專名">鄒彥吉</span>家觀舞，因論：『此婦人盤中、掌上之遺耳，乃古人之舞不傳久矣。古有鞞舞、鞶舞、鐸舞、笛舞，固絕不知何狀；即最後如<span class="專名">唐太宗</span><span class="書名">七德舞</span>、<span class="專名">明皇</span>之<span class="書名">龍池舞</span>及<span class="書名">霓裳羽衣</span>之舞，在<span class="專名">宋</span>已亡。然古人酒歡起舞，多男子。如<span class="專名">唐</span><span class="專名">楊再思</span>之<span class="書名">高麗舞</span>，<span class="專名">祝欽明</span>之<span class="書名">八風舞</span>，則大臣亦為之；<span class="專名">安祿山</span>之<span class="書名">胡旋舞</span>，<span class="專名">僕固懷恩</span>為宦官<span class="專名">駱奉仙</span>舞，則邊帥亦為之；若<span class="專名">和哥</span>起舞與<span class="專名">張存業</span>求纏頭，則儲君亦為之矣。<span class="專名">唐</span><span class="專名">開成</span>間樂人<span class="專名">崇胡子</span>能軟舞，其舞容有大垂手、小垂手、驚鴻、飛燕、婆娑之屬，其腰肢不異女郎，則知<span class="專名">唐</span>末已全重婦人。而<span class="專名">唐</span>時教坊樂又有<span class="書名">垂手羅</span>、<span class="書名">迴波樂</span>、<span class="書名">蘭陵王</span>、<span class="書名">春鶯囀</span>、<span class="書名">半社</span>、<span class="書名">渠借席</span>、<span class="書名">烏夜啼</span>之屬，謂之軟舞；<span class="書名">阿遼</span>、<span class="書名">柘枝</span>、<span class="書名">黃麞</span>、<span class="書名">拂菻</span>、<span class="書名">大渭州</span>、<span class="書名">達摩叉</span>之屬，謂之健舞；又不專用女郎也。<span class="專名">宋</span>時宗廟朝享之外，亦用婦人，其所謂女童隊、小兒隊、教坊隊者，已彷彿今世。至<span class="專名">金</span>、<span class="專名">元</span>益不可問。今之學舞者，俱作<span class="專名">汴梁</span>與<span class="專名">金陵</span>，大抵俱軟舞。雖有南舞、北舞之異，然皆女妓為之；即不然，亦男子女裝以悅客。古法澌滅，非始本朝也。至若舞用婦人，實勝男子，彼<span class="專名">劉</span>、<span class="專名">項</span>何等帝王，尚戀<span class="專名">戚</span>、<span class="專名">虞</span>之舞。<span class="專名">唐</span>人謂：教坊<span class="專名">雷</span>大使舞，極盡工巧，終非本色。蓋本色者，婦人態也。』<span class="專名">鄒</span>深是余言。</p>

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