檢視顧曲雜言/時尚小令的原始碼

<h3 class="th3a"><span class="條題">時尚小令</span></h3>
<p><span class="專名">元</span>人小令行於<span class="專名">燕</span>、<span class="專名">趙</span>後，浸淫日盛。自<span class="專名">宣</span>、<span class="專名">正</span>至<span class="專名">化</span>、<span class="專名">治</span>後，中原又行<span class="書名">瑣南枝</span>、<span class="書名">傍妝臺</span>、<span class="書名">山坡羊</span>之屬。<span class="專名">李崆峒</span>先生初自<span class="專名">慶陽</span>徙居<span class="專名">汴梁</span>，聞之，以為可繼<span class="書名">國風</span>之後。<span class="專名">何大復</span>繼至，亦酷愛之。今所傳『泥揑人』及『鞋打卦』、『熬䯼髻』三闋，為三牌名之冠，故不虛也。自茲以後，又有<span class="書名">耍孩兒</span>、<span class="書名">駐雲飛</span>，<span class="書名">醉太平</span>諸曲，然不如三曲之盛。<span class="專名">嘉</span>、<span class="專名">隆</span>間乃興<span class="書名">鬧五更</span>、<span class="書名">寄生草</span>、<span class="書名">羅江怨</span>、<span class="書名">哭皇天</span>、<span class="書名">乾荷葉</span>、<span class="書名">粉紅蓮</span>、<span class="書名">桐城歌</span>、<span class="書名">銀絞絲</span>之屬，自兩<span class="專名">淮</span>以至<span class="專名">江南</span>，漸與詞曲相遠，不過寫淫媟情態，略具抑揚而已。比年以來，又有<span class="書名">打棗乾</span>、<span class="書名">掛枝兒</span>二曲，其腔調約略相似，則不問南、北，不問男、女，不問老、幼、良、賤，人人習之，亦人人喜聽之，以至刊布成帙，舉世傳誦，沁人心腑—其譜不知從何來—真可駭歎！又<span class="書名">山坡羊</span>者，<span class="專名">李</span>、<span class="專名">何</span>二公所喜。今南、北詞俱有此名。但北方惟盛愛<span class="書名">數落山坡羊</span>。其曲自<span class="專名">宣</span>、<span class="專名">大</span>、<span class="專名">遼東</span>三鎮傳來。今京師妓女，慣以此充絃索北調。其語穢褻鄙賤，並<span class="專名">桑</span>、<span class="專名">濮</span>之音亦離去已遠。而羈人遊婿，嗜之獨深，丙夜開尊，爭先招致；而教坊所隸箏、𥱧等色，及九宮十二則，皆不知為何物矣！俗樂中之雅樂，尚不諧里耳如此，況真雅樂乎？</p>

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