檢視顧曲雜言/張伯起傳奇的原始碼

<h3 class="th3a"><span class="條題">張伯起傳奇</span></h3>
<p><span class="專名">張伯起</span>少年作<span class="書名">紅拂記</span>，演習之者徧國中。後以丙戍上太夫人壽，作<span class="書名">祝髮記</span>，則母已八旬，而身亦耳順矣。其繼之者，則有<span class="書名">竊符</span>、<span class="書名">灌園</span>、<span class="書名">扊扅</span>、<span class="書名">虎符</span>，共刻函為<span class="書名">陽春六集</span>，盛傳於世，可以止矣。暮年値<span class="專名">播</span>事奏功，大將<span class="專名">楚</span>人<span class="專名">李應祥</span>者，求作傳奇以侈其勳，潤筆稍溢，不免過於張大，似多此一段蛇足，其曲今亦不行。同時<span class="專名">沈寧菴</span><span class="專名">璟</span>吏部，自號『詞隱生』，亦酷愛填詞，至作三十餘種，其盛行者，惟<span class="書名">義俠</span>、<span class="書名">桃符</span>、<span class="書名">紅蕖</span>之屬。<span class="專名">沈</span>工韻譜，每製曲必遵<span class="書名">中原音韻</span>、<span class="書名">太和正音</span>諸書，欲與<span class="專名">金</span>、<span class="專名">元</span>名家爭長；<span class="專名">張</span>則以意用韻，便俗唱而已。余每問之，答云：『子見<span class="專名">高則誠</span><span class="書名">琵琶記</span>否？余用此例，奈何訝之！』</p>

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