檢視顧曲雜言/太和記的原始碼

<h3 class="th3a"><span class="條題">太和記</span></h3>
<p>向年曾見刻本<span class="書名">太和記</span>，按二十四氣，每季填詞六折，用六古人故事，每事必具始終，每人必有本末。齣既蔓衍，詞復冗長，若當場演之，一折可了一更漏，雖似出博洽人手，然非本色當行；又南曲居十之八，不可入絃索。後聞之一先輩云：『是<span class="專名">升菴</span>太史筆。』未知然否。<span class="專名">翊國公</span><span class="專名">郭勛</span>亦刻有<span class="書名">太和傳</span>，<span class="專名">郭</span>以科道聚劾，下鎮撫司究問，尋奉<span class="專名">世宗</span>聖旨『<span class="專名">勛</span>曾贊大禮，並刻大傳奇』，可知。然余未見<span class="專名">郭</span>書，不敢臆斷。且北詞九宮譜，本名<span class="書名">太和正音</span>，又似與音律相關，未可曉也。<span class="專名">楊升菴</span>生平填詞甚工，遠出<span class="書名">太和</span>之上；今所傳俱小令，而大套則失之矣。曾見<span class="專名">楊</span>親筆改定<span class="專名">祝枝山</span><span class="書名">詠月</span>『玉盤金餅』一套，竄易甚多，如『西廂待月，斷送<span class="專名">鶯鶯</span>』，改為『成就<span class="專名">鶯鶯</span>』。餘不盡記矣。</p>

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