檢視靜志居詩話/卷十八/吳振纓的原始碼

<h3 class="th3a"><span class="條題">吳振纓</span></h3>
<p class="附傳"><span class="專名">吳振纓</span>，字<span class="專名">長組</span>，<span class="專名">歸安</span>人。<span class="專名">天啟</span>壬戌進士，除中書舍人，考授<span class="專名">廣東道</span>御史。有<span class="書名">顛石齋詩集</span>。</p>
<p>詠物詩最難工，而梅尤不易，<span class="專名">林君復</span>『雪後園林纔半樹，水邊籬落忽橫枝。』此為絕唱矣。他如：『疎影橫斜水清淺，暗香浮動月黃昏』，僅易<span class="專名">江為</span>二字，以『竹』『桂』為『疎』『暗』，是妙於點染者。餘則<span class="專名">蘇子瞻</span>『竹外一枝斜更好。』<span class="專名">高季迪</span>『薄暝山家松樹下。』亦見映帶之工。<span class="專名">高續古</span>絕句云：『舍南舍北雪猶存，山外斜陽不到門。一夜冷香清入夢，野梅千樹月明邨。』可謂傳神好手。<span class="專名">朱希真</span>詞：『橫枝清瘦只如無，但空裡疎花數點。』<span class="專名">李易安</span>詞：『要來小酌便來休，未必明朝風不起？』皆得此花之神。若<span class="專名">朱雍</span>之<span class="書名">梅詞</span>，<span class="專名">黃晞顏</span>之<span class="書名">梅苑</span>，<span class="專名">李龏</span>之<span class="書名">梅花衲</span>，釋<span class="專名">明本</span>之<span class="書名">梅花百詠</span>，詩愈多而神愈遠矣。<span class="專名">侍御</span><span class="書名">棲賢看梅</span>之作，實獲我心。詩云：『萬樹惟一色，半山堆白雲。鳥啼邨不夜，香遠客先聞。近寺松陰合，橫枝澗影分。誰家修竹裡，簾外亦紛紛。』</p>

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