檢視靜志居詩話/卷十五/湯顯祖的原始碼

<h3 class="th3a"><span class="條題">湯顯祖</span></h3>
<p class="附傳"><span class="專名">湯顯祖</span>，字<span class="專名">義仍</span>，<span class="專名">臨川</span>人。<span class="專名">萬歷</span>癸未進士，除南太常博士，遷南禮部主事，謫<span class="專名">徐聞</span>典史，量移知<span class="專名">遂昌縣</span>。有<span class="書名">玉茗堂集</span>。</p>
<p><span class="專名">義仍</span>填詞，妙絕一時，語雖斬新，源實出於<span class="專名">關</span>、<span class="專名">馬</span>、<span class="專名">鄭</span>、<span class="專名">白</span>，其<span class="書名">牡丹亭</span>曲本，尤極情摯。人或勸之講學，笑答曰：『諸公所講者「性」，僕所言者「情」也。』世或相傳云刺<span class="專名">曇陽子</span>而作。然<span class="專名">太倉</span>相君，實先令家樂演之，且云：『吾老年人，近頗為此曲惆悵。』假令人言可信，相君雖盛德有容，必不反演之於家也。當日<span class="專名">婁江</span>女子<span class="專名">俞二孃</span>，酷嗜其詞，斷腸而死。故<span class="專名">義仍</span>作詩哀之云：『畫燭搖金閣，真珠泣繡窗。如何傷此曲，偏只在<span class="專名">婁江</span>。』又<span class="書名">七夕答友</span>詩云：『<span class="專名">玉茗堂</span>開春翠屏，新詞傳唱<span class="書名">牡丹亭</span>。傷心拍遍無人會，自掐檀痕教小伶。』其後又續成<span class="書名">紫簫</span>殘本，身後為仲子<span class="專名">開遠</span>焚棄。詩終牽率，非其所長。</p>

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