檢視靜志居詩話/卷十三/李攀龍的原始碼

<h3 class="th3a"><span class="條題">李攀龍</span></h3>
<p class="附傳"><span class="專名">李攀龍</span>，字<span class="專名">于鱗</span>，<span class="專名">歷城</span>人。<span class="專名">嘉靖</span>甲辰進士，除刑部主事，歷郎中，出知<span class="專名">順德府</span>，升<span class="專名">陝西</span>提學副使，轉參政，終<span class="專名">河南</span>按察使。與<span class="專名">王世貞</span>、<span class="專名">謝榛</span>、<span class="專名">梁有譽</span>、<span class="專名">宗臣</span>、<span class="專名">徐中行</span>、<span class="專名">吳國倫</span>稱七才子。有<span class="書名">滄溟集</span>。</p>
<p><span class="專名">于鱗</span>樂府，止規字句，而遺其神明。是何異<span class="專名">安漢公</span>之<span class="書名">金縢</span>、<span class="書名">大誥</span>，<span class="專名">文中子</span>之續經乎？惟相和短章，稍有足錄者。五言學步<span class="專名">蘇</span>、<span class="專名">李</span>、<span class="專名">曹</span>、<span class="專名">劉</span>，如『浮雲從何來，焉知非故鄉』，『來者自為今，去者自為昔』，差具神理，然新警者寡矣。七古五律絕句，要非作家。惟七律人所共推，心慕手追者，<span class="專名">王維</span>、<span class="專名">李頎</span>也。合而觀之，句重字複，氣斷續而神𠇗離，亦非絕品。<span class="專名">元美</span>比之<span class="專名">峨眉</span>天半雪，至謂『文許先<span class="專名">秦</span>上，詩卑<span class="專名">正始</span>還』，譽過其實。<span class="專名">于鱗</span>乃居之不疑，據<span class="專名">白雪樓</span>，高自位置。此時<span class="專名">章邱</span><span class="專名">李伯華</span>架插萬卷書，<span class="專名">海豐</span><span class="專名">楊伯謙</span>吟精五言體，是宜降心相從，乃敢大言謂：『微吾竟長夜。』豈非妄人。又自詡與<span class="專名">元美</span>狎主齊盟，目<span class="專名">四溟</span>以櫜鞬鞭弭左右，<span class="專名">四溟</span>豈心服乎？<span class="專名">于鱗</span><span class="書名">古意</span>云：『秋風西北起，吹我遊子裳。浮雲從何來，安知非故鄉？蕭蕭胡馬鳴，翩翩下枯桑。暮色入中原，飛蓬轉戰場。往路不可懷，行役自悲傷。』<span class="書名">懷子相</span>云：『<span class="專名">薊門</span>秋杪送仙槎，此日開尊感歲華。臥病山中生桂樹，懷人江上落梅花。春來鴻雁書千里，夜色樓臺雪萬家。南<span class="專名">粤</span>東<span class="專名">吳</span>還獨往，應憐薄宦滯天涯。』<span class="書名">贈梁伯龍</span>云：『<span class="專名">太華峰</span>頭<span class="專名">玉女壇</span>，別時明月滿<span class="專名">長安</span>。不知秋色今多少，君到<span class="專名">仙人掌</span>上看。』</p>
<h4 class="th4a"><span class="附傳題">附錄</span</h4>>
<p class="附傳"><span class="專名">愚山</span>云：『<span class="專名">于鱗</span>擬古，句摭字捃，興會索然，神明不屬。自謂<span class="專名">胡寬</span>之營<span class="專名">新豐</span>，而不知為<span class="專名">壽陵</span>餘子之學步於<span class="專名">邯鄲</span>也。七言今體，三百年來，推為冠冕。然舉其字，則三十餘字盡之矣，舉其句，則數十句盡之矣，百年萬里，已憎疊出，<span class="專名">周</span>禮<span class="專名">漢</span>官，何煩雒誦。專城出守，動曰東方千騎；方舟並載，輒云二子乘舟。<span class="專名">遼海</span>中丞，襲驃騎之號；<span class="專名">廬江</span>別駕，蒙小吏之呼。投杼<span class="專名">曾</span>母，訝許自天；傅粉<span class="專名">何郎</span>，冠以帝謂。經義寡稽，援據失當。何來天地，吾輩<span class="專名">中原</span>，矢口囂騰，殊乏風人之致；易詞誇詡，初無贈處之言。於是狂易成風，叫呶日甚，微吾長夜，<span class="專名">于鱗</span>既跋扈於前，才勝<span class="專名">相如</span>，<span class="專名">伯玉</span>亦簸揚於後，斯又風雅之下流，聲偶之極敝也。斯文未喪，來者難誣。當<span class="專名">葵邱</span>震驚之日，<span class="專名">仲蔚</span>已有違言；迨<span class="專名">稷下</span>消歇之時，<span class="專名">元美</span>亦持異議。而<span class="專名">王元馭</span>序<span class="書名">弇山續集</span>，詆訶<span class="專名">歷下</span>，謂：「不及三十年，水落石出，索然不見其所有。」斯藝苑之公論也。』</p>

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