檢視靜志居詩話/卷十/何景明的原始碼

<h3 class="th3a"><span class="條題">何景明</span></h3>
<p class="附傳"><span class="專名">何景明</span>，字<span class="專名">仲默</span>，<span class="專名">信陽</span>人。<span class="專名">弘治</span>壬戌進士，授中書舍人，轉吏部員外，出為<span class="專名">陝西</span>提學副使。有<span class="書名">大復山人集</span>。</p>
<p><span class="專名">弘</span>、<span class="專名">正</span>間，作者倡復古學，同調六七人，<span class="專名">李</span>、<span class="專名">何</span>實為之長。<span class="專名">李</span>以秀朗推<span class="專名">何</span>，<span class="專名">何</span>以偉麗目<span class="專名">李</span>。其後互相牴牾，<span class="專名">何</span>誚<span class="專名">李</span>『搖鞞振鐸』，<span class="專名">李</span>誚<span class="專名">何</span>『摶沙弄泥』。譬之鍼砭，不中腧穴，徒嘵嘵耳。兩君皆負才傲物，<span class="專名">何</span>稍和易，以是人多附之。<span class="專名">薛君采</span>詩云：『俊逸終憐<span class="專名">何大復</span>，麤豪不解<span class="專名">李空同</span>。』自此詩出，而抑<span class="專名">李</span>申<span class="專名">何</span>者，日漸多矣。<span class="專名">初唐</span>四子體，今人棄之，若土苴矣。然其音節宛轉，從六朝樂府中來，初學者正不可不知也。<span class="專名">默仲</span><span class="書名">明月篇</span>，擬議頗工，未墮惡道。<span class="專名">子美</span>詩云：『<span class="專名">王</span><span class="專名">楊</span><span class="專名">盧</span><span class="專名">駱</span>當時體，輕薄為文哂未休。爾曹身與名俱滅，不廢江河萬古流。』其論詩之旨若此。然則<span class="專名">初唐</span>，亦豈可盡廢乎？</p>
<p class="附傳"><p>按：<span class="專名">仲默</span><span class="書名">明月篇</span>序云：『僕始讀<span class="專名">杜</span>子七言詩歌，愛其陳事切實，布辭沈著，鄙心竊效之，以為長篇聖於<span class="專名">子美</span>矣。既而讀<span class="專名">漢</span>、<span class="專名">魏</span>以來歌詩，以<span class="專名">唐</span>初四子者之所為，而反復之，則知<span class="專名">漢</span>、<span class="專名">魏</span>固承<span class="書名">三百篇</span>之後，流風猶可徵焉。而四子者，雖工富麗，去古遠甚，至其音節，往往可歌。乃知<span class="專名">子美</span>辭固沈著，而調失流轉，雖成一家語，實則詩歌之變體也。夫詩本性情之發者也。其切而易見者，莫如夫婦之間。是以<span class="書名">三百篇</span>首乎<span class="書名">雎鳩</span>，六義首乎風。而<span class="專名">漢</span>、<span class="專名">魏</span>作者，義關君臣朋友，辭必託諸夫婦，以宣鬱而達情焉，其旨遠矣。由是觀之，<span class="專名">子美</span>之詩，博涉世故，出於夫婦者常少，致兼<span class="書名">雅</span>、<span class="書名">頌</span>，而風人之義或缺。此其調反在四子之下與？暇日為此篇，意調若髣髴四子，而才質猥弱，思致庸陋，故摛詞蕪紊，無復統飭，姑錄之，以俟審聲者裁割焉。』<span class="專名">陳臥子</span>云：『此序深得風人之旨。』</p></p>
<p>又云：<span class="專名">仲默</span>題畫諸篇，源出<span class="專名">杜陵</span>，匪徒貌似，神亦似之。</p>
<p>又云：<span class="專名">仲默</span><span class="書名">懷五清先生詩</span>云：『憔悴東都士，吾師更可嗟。三年為逐客，萬里未還家。暮阻<span class="專名">巴山</span>雪，春行<span class="專名">楚</span>岸花。江湖無路覓，流涕望天涯。』<span class="專名">五清</span>先生，<span class="專名">內江</span>人，<span class="專名">南京</span>禮部右侍郎，卒贈尚書，諡<span class="專名">文肅</span>，<span class="專名">劉公瑞</span>也。字曰<span class="專名">德符</span>，<span class="專名">山東</span>按察僉事<span class="專名">時斅</span>之子，中<span class="專名">弘治</span>丙辰進士，<span class="專名">正德</span>丁丑以按察副使，提督<span class="專名">浙江</span>學政。明年六月，廣購經史子集，發十一府儒學公貯備覽，每冊隸書於序，尾鈐以關防。今各府俱散佚人間，予每每見之。惟<span class="專名">湖州</span>府學尚多存者，予家所抄<span class="專名">施宿</span>、<span class="專名">張淏</span><span class="書名">會稽</span>二志，乃其所儲本也。又嘗於<span class="專名">峴山</span>建<span class="專名">三賢祠</span>，以祀<span class="專名">唐</span>刺史<span class="專名">顏</span>公<span class="專名">真卿</span>，<span class="專名">宋</span>知州事<span class="專名">蘇</span>公<span class="專名">軾</span>、<span class="專名">王</span>公<span class="專名">十朋</span>，則己卯年事也。留心風教若此，可謂克盡其職。儻學使者，悉如公所為，士風吏治，何難丕變。予以為<span class="專名">三賢祠</span>在，宜作栗主并祀公，斯則賢有司之責矣。公有<span class="書名">五清先生集</span>十八卷，又<span class="書名">外臺集</span>六卷，訪之未獲，故附識於此。</p>
<h4 class="th4a"><span class="附傳題">附錄</span</h4>>
<p class="附傳"><span class="專名">孫豹人</span>云：『風雅互作，雜體並生，<span class="專名">仲默</span>五平五仄詩，亦具體也。詩云：「秋原何蕭蕭，耳目去雜茸。枯荷猶穿塘，苦瓠尚抱隴。寒風吹空林，落日照古冢。徘徊觀陳蹤，露下髮忽竦。」此詩不見平仄之跡，乃運思之神。更有七平七仄，如「吐舌萬里唾四海」，「七變入臼米出甲」，「離袿飛髾垂纖羅」，「梨花梅花參差開」是也。』</p>

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