檢視雨村曲話/卷下/63 的原始碼

<p>曲始於<span class="專名">元</span>，大略貴當行不貴藻麗。蓋作曲自有一番才料，其修飾詞章，填塞故實，了無干涉也。故<span class="書名">荊</span>、<span class="書名">劉</span>、<span class="書名">拜</span>、<span class="書名">殺</span>為四大家，而長才如<span class="書名">琵琶</span>猶不得與，以<span class="書名">琵琶</span>漸開琢句修詞之端也。<span class="專名">明</span>如<span class="專名">湯菊莊</span>、<span class="專名">馮海浮</span>、<span class="專名">陳秋碧</span>輩，雖無耑本，而製曲直闖其藩，<span class="專名">元</span>音未絕。自<span class="專名">梁伯龍</span>出，始為工麗濫觴。蓋其生<span class="專名">嘉</span>、<span class="專名">隆</span>間，正七子雄長之會，詞尚華靡；<span class="專名">弇州</span>於此道不深，徒以維桑之誼，盛為吹噓，不知非當行也。故<span class="專名">吳</span>音一派，竟為剿襲，靡詞如綉閣羅幃、銅壺銀箭、紫燕黃鶯、浪蝶狂蜂之類，啟口即是，千篇一律。甚至使僻事，繪隱語，不惟曲家本色語全無，即人間一種真情話，亦不可得，<span class="專名">元</span>音之所以塞而不開也。不知以藻繢為曲，譬如以排律諸聯入<span class="書名">陌上桑</span>、<span class="書名">董妖嬈</span>樂府諸題下，多見其不類，又何曲之足云！</p>

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