檢視譚曲雜劄/14 的原始碼

<p><span class="專名">周德清</span><span class="書名">中原音韻</span>，舌本甚調，聯叶甚協，自是明白可依，知者可以闇合無訛，非若<span class="專名">休文</span>詩韻龐雜乖離也，故<span class="專名">元</span>人北劇一準而用之。今人作詩，必不能跳越<span class="專名">休文</span>韻，以<span class="專名">唐</span>人遵之之故。乃曲之於<span class="專名">德清</span>韻，不能如<span class="專名">元</span>人遵之，何哉？此自<span class="書名">琵琶</span>等舊曲，皆不免旁犯，則以轉韻、借叶易於成章耳。然北曲僅存者，無一失韻；南曲盛行者，反不能然，正恐流傳竄改，未必皆作者之故也。其廉纖、監咸、侵尋閉口三韻，舊曲原未嘗輕借。今<span class="專名">會稽</span>、<span class="專名">毗陵</span>二郡，土音猶嚴，皆自然出之，非待學而能者；獨東西<span class="專名">吳</span>人懵然，亦莫可解。近來知用韻者漸多，則<span class="專名">沈伯英</span>之力不可誣也。</p>

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{{header|title = [[譚曲雜劄]]|section =譚曲雜劄/14|previous = [[譚曲雜劄/13]]|next = [[譚曲雜劄/15]]}}

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