檢視詞餘叢話/卷一/11 的原始碼

<p><span class="專名">張度西</span>先生嘗謂：『詞曲之源，出自樂府。雖世代升降，體格趨下，亦是天地間一種文字。曲譜中大石調之<span class="書名">念奴嬌</span>「長空萬里」，般涉調之<span class="書名">哨徧</span>「睡起草堂」，皆<span class="專名">宋</span>詞，可見是時已開<span class="專名">元</span>曲先聲，如<span class="專名">青蓮</span><span class="書名">憶秦娥</span>為詞祖，妍麗流美，而聲之變隨之，有莫知其然而然者。然如<span class="專名">實甫</span>、<span class="專名">東籬</span>、<span class="專名">漢卿</span>，猶存<span class="專名">宋</span>人體格；自院本、雜劇出，多至百餘種，歌紅拍綠，變為牛鬼蛇神、淫哇俚俗，遂為大雅所憎。前<span class="專名">明</span><span class="專名">邱文莊</span><span class="書名">十孝記</span>何嘗不以宮商爨演，寓垂世立教之意？在文人學士，勿為男女媟褻之辭，埽其蕪雜，歸於正音，庶見綺語真面目耳。』先生此論，與<span class="專名">藏園</span><span class="書名">題忠愍記</span>『安肯輕提<span class="專名">南</span>、<span class="專名">董</span>筆，替人兒女寫相思』之句，相吻合云。</p>

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