檢視續詞餘叢話/卷一/13 的原始碼

<p><span class="專名">李笠翁</span>發明北曲宜用入韻，其說甚辨，蓋為初學而言，若久於此道而得三昧者，則左之右之皆宜矣。然稍不經心，亦不無聱牙結舌之弊。試以<span class="書名">西廂</span>、<span class="書名">琵琶</span>兩記較之：作<span class="書名">西廂</span>者，工於北曲，則入韻是其所長，如<span class="書名">鬧齋</span>曲中『二月春雷響殿角』，『早成就幽期密約』，『內性兒聰明，冠世才學』，『扭揑著身子百般做作』，『角』字、『約』字、『學』字、『作』字，何等雅馴，何等自然！<span class="書名">琵琶</span>工於南曲，用入韻是其所短，如<span class="書名">描容</span>曲中『兩處堪悲，萬愁怎摸』，愁是何物，而可摸乎？</p>

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