檢視碧雞漫志/卷五/11 的原始碼


<span class="書名">西河長命女</span>——<span class="專名">崔元範</span>自<span class="專名">越州</span>幕府拜侍御史，<span class="專名">李訥</span>尚書餞於<span class="專名">鑑湖</span>，命<span class="專名">盛小叢</span>歌，坐客各賦詩送之，有云：『為公唱作<span class="專名">西河</span>調，日暮偏傷去住人。』<span class="書名">理道要訣</span>：『<span class="書名">長命女西河</span>，在林鍾羽，時號平調。』今俗呼高平調也。<span class="書名">脞說</span>云：『<span class="專名">張紅紅</span>者，<span class="專名">大歷</span>初隨父歌匄食，過將軍<span class="專名">韋青</span>所居，<span class="專名">青</span>納為姬，自傳其藝，穎悟絕倫。有樂工取古<span class="書名">西河長命女</span>加減節奏，頗有新聲，未進閒，先歌於<span class="專名">青</span>。<span class="專名">青</span>令<span class="專名">紅紅</span>潛聽，以小豆數合記其拍，紿云：「女弟子久歌此，非新曲也。」隔屏奏之，一聲不失，樂工大驚，請與相見，歎伏不已。兼云：「有一聲不穩，今已正矣。」尋達上聽，召入<span class="專名">宜春院</span>，寵澤隆異，宮中號「記曲小娘子」，尋為才人。』按：此曲起<span class="專名">開元</span>以前，<span class="專名">大歷</span>間樂工加減節奏，<span class="專名">紅紅</span>又正一聲而已。<span class="書名">花間集</span><span class="專名">和凝</span>有<span class="書名">長命女</span>曲，偽<span class="專名">蜀</span><span class="專名">李珣</span><span class="書名">瓊瑤集</span>亦有之，句讀各異；然皆今曲子，不知孰為古製林鍾羽併<span class="專名">大歷</span>加減者。近世有<span class="書名">長命女令</span>，前七拍，後九拍，屬仙呂調，宮調、句讀，並非舊曲。又別出大石調<span class="書名">西河</span>，慢聲，犯正平，極奇古。蓋<span class="書名">西河長命女</span>本林鍾羽，而近世所分二曲，在仙呂、正平兩調，亦羽調也。
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