檢視碧雞漫志/卷二/13 的原始碼


<span class="專名">向伯恭</span>用<span class="書名">滿庭芳</span>曲賦木犀，約<span class="專名">陳去非</span>、<span class="專名">朱希真</span>、<span class="專名">蘇養直</span>同賦『月窟蟠根，雲巖分種』者是也，然三人皆用<span class="書名">清平樂</span>和之。<span class="專名">去非</span>云：『黃衫相倚，翠葆層層底。八月江南風日美，弄影山腰水尾。<span class="專名">楚</span>人未識孤妍，<span class="書名">離騷</span>遺恨千年。<span class="專名">無住菴</span>中新事，一枝喚起幽禪。』<span class="專名">希真</span>云：『人間花少，菊小芙蓉老。冷淡仙人偏得道，買定西風一笑。前身元是江梅，<span class="專名">黃姑</span>點破冰肌，只有暗香猶在，飽參清似南枝。』<span class="專名">養直</span>云：『斷崖流水，香度青林底。元配騷人蘭與芷，不數春風桃李。<span class="專名">淮</span>南叢桂小山，詩翁合得躋攀。身到十洲、三島，心遊萬壑千巖。』後<span class="專名">伯恭</span>再賦木犀，亦寄<span class="書名">清平樂</span>，贈<span class="專名">韓璜</span><span class="專名">叔夏</span>云：『<span class="專名">吳</span>頭、<span class="專名">楚</span>尾，踏破芒鞋底。萬壑千巖秋色裡，不奈惱人風味。如今老我薌林，世閒百不關心，獨喜愛香<span class="專名">韓壽</span>，能來同醉花陰。』<span class="專名">韓</span>和云：『秋光如水，釀作鵝黃蟻，散入千巖佳樹裡，惟許脩門人醉。輕鈿重上風鬟，不禁月冷霜寒。步障深沈歸去，依然愁滿江山。』初<span class="專名">劉原父</span>亦於<span class="書名">清平樂</span>賦木犀云：『小山叢桂，最有人留意。拂葉攀花無限思，雨濕濃香滿袂。別來過了秋光，翠簾昨夜新霜。多少月宮閒地，<span class="專名">姮娥</span>借與微芳。』同一花、一曲，賦者六人，必有第其高下者。正宮<span class="書名">白苧曲</span>賦雪者，世傳<span class="專名">紫姑神</span>作，寫至『追昔<span class="專名">燕然</span>畫角，寶鑰珊瑚，是時丞相，虛作<span class="專名">銀城</span>換得』，或問出處，答云：『天上文字，汝那得知！』末後句『又恐東君，暗遣花神，先到南國。昨夜江梅，漏泄春消息』。殊可喜也。予舊同僚<span class="專名">郝宗文</span>嘗春初請<span class="專名">紫姑神</span>，既降，自稱『蓬萊仙人玉英』，書<span class="書名">浪淘沙</span>曲云：『塞上早春時，暖律猶微，柳舒金線拂回堤。料得江鄉應更好，開盡梅溪。晝漏漸遲遲，愁損仙機，幾回無語斂雙眉。憑徧欄干十二曲，日下樓西。』<span class="注">正宮下別是一條。</span>
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