檢視碧雞漫志/卷二/03 的原始碼


<span class="專名">王荊公</span>長短句不多，合繩墨處自雍容奇特。<span class="專名">晏元獻公</span>、<span class="專名">歐陽文忠公</span>風流縕藉，一時莫及，而溫潤秀潔，亦無其比。<span class="專名">東坡</span>先生以文章餘事作詩，溢而作詞曲，高處出神入天，平處尚臨鏡笑春，不顧儕輩。或曰：『長短句中詩也。』為此論者，乃是遭<span class="專名">柳永</span>野狐涎之毒。詩與樂府同出，豈當分異？若從<span class="專名">柳</span>氏家法，正自不分異耳。<span class="專名">晁無咎</span>、<span class="專名">黃魯直</span>皆學<span class="專名">東坡</span>，韻製得七八。<span class="專名">黃</span>晚年間放於狹邪，故有少疏蕩處。後來學<span class="專名">東坡</span>者，<span class="專名">葉少蘊</span>、<span class="專名">蒲大受</span>亦得六七，其才力比<span class="專名">晁</span>、<span class="專名">黃</span>差劣。<span class="專名">蘇在庭</span>、<span class="專名">石耆翁</span>入<span class="專名">東坡</span>之門矣，短氣跼步，不能進也。<span class="專名">趙德麟</span>、<span class="專名">李方叔</span>皆<span class="專名">東坡</span>客，其氣味殊不近；<span class="專名">趙</span>婉而<span class="專名">李</span>俊，各有所長，晚年皆荒醉<span class="專名">汝</span>、<span class="專名">潁</span>、<span class="專名">京</span>、<span class="專名">洛</span>間，時時出滑稽語。<span class="專名">賀方回</span>、<span class="專名">周美成</span>、<span class="專名">晏叔原</span>、<span class="專名">僧仲殊</span>各盡其才力，自成一家。<span class="專名">賀</span>、<span class="專名">周</span>語意精新，用心甚苦，<span class="專名">毛澤民</span>、<span class="專名">黃載萬</span>次之。<span class="專名">叔原</span>如<span class="專名">金陵王</span>、<span class="專名">謝</span>子弟，秀氣勝韻，得之天然，將不可學，<span class="專名">仲殊</span>次之；<span class="專名">殊</span>之贍，<span class="專名">晏</span>反不逮也。<span class="專名">張子野</span>、<span class="專名">秦少遊</span>俊逸精妙；<span class="專名">少遊</span>屢困<span class="專名">京</span>、<span class="專名">洛</span>，故疏蕩之風不除。<span class="專名">陳無己</span>所作數十首，號曰『語業』，妙處如其詩，但用意太深，有時僻澀。<span class="專名">陳去非</span>、<span class="專名">徐師川</span>、<span class="專名">蘇養直</span>、<span class="專名">呂居仁</span>、<span class="專名">韓子蒼</span>、<span class="專名">朱希真</span>、<span class="專名">陳子高</span>、<span class="專名">洪覺範</span>佳處亦各如其詩。<span class="專名">王輔道</span>、<span class="專名">履道</span>善作一種俊語，其失在輕浮；<span class="專名">輔道</span>誇捷敏，故或有不縝密。<span class="專名">李漢老</span>富麗而韻平平。<span class="專名">舒信道</span>、<span class="專名">李元膺</span>思致妍密，要是波瀾小。<span class="專名">謝無逸</span>字字求工，不敢輒下一語，如刻削通草人，都無筋骨，要是力不足。然則獨<span class="專名">無逸</span>乎？曰：類多有之，此最著者爾。宗室中<span class="專名">明發</span>、<span class="專名">伯山</span>，久從<span class="專名">汝</span>、<span class="專名">洛</span>名士遊，下筆有逸韻，雖未能一一盡奇，比<span class="專名">國賢</span>、<span class="專名">聖褒</span>則過之。<span class="專名">王逐客</span>才豪，其新麗處與輕狂處皆足驚人。<span class="專名">沈公述</span>、<span class="專名">李景元</span>、<span class="專名">孔方平</span>、<span class="專名">處度</span>叔姪、<span class="專名">晁次膺</span>、<span class="專名">萬俟雅言</span>，皆有佳句，就中<span class="專名">雅言</span>又絕出；然六人者源流從<span class="專名">柳</span>氏來，病於無韻。<span class="專名">雅言</span>初自集分兩體；曰『雅詞』，曰『側艷』，目之曰『勝萱麗藻』，後召試入官，以側艷體無賴太甚，削去之；再編成集，分五體，曰『應制』，曰『風月脂粉』，曰『雪月風花』，曰『脂粉才情』，曰『雜類』，<span class="專名">周美成</span>目之曰『大聲』。<span class="專名">次膺</span>亦間作側艷。<span class="專名">田不伐</span>才思與<span class="專名">雅言</span>抗行，不聞有側艷。<span class="專名">田中行</span>極能寫人意中事，雜以鄙俚，曲盡要妙，當在<span class="專名">萬俟雅言</span>之右；然莊語輒不佳。嘗執一扇，書句其上云：『玉蝴蝶戀花心動』。語人曰：『此聯三曲名也，有能對者，吾下拜』。——北里狹邪間橫行者也。宗室<span class="專名">溫之</span>次之。長短句中作滑稽無賴語，起於<span class="專名">至和</span>。<span class="專名">嘉祐</span>之前，猶未盛也。<span class="專名">熙豐</span>、<span class="專名">元祐</span>間，<span class="專名">兗州</span><span class="專名">張山人</span>以詼諧獨步京師，時出一兩解。<span class="專名">澤州</span><span class="專名">孔三傳</span>者，首創諸宮調古傳，士大夫皆能誦之。<span class="專名">元祐</span>間<span class="專名">王齊叟</span><span class="專名">彥齡</span>，<span class="專名">政和</span>間<span class="專名">曹組</span><span class="專名">元寵</span>，皆能文，每出長短句，膾炙人口。<span class="專名">彥齡</span>以滑稽語譟<span class="專名">河朔</span>。<span class="專名">組</span>潦倒無成，作<span class="書名">紅窗迥</span>及雜曲數百解，聞者絕倒，滑稽無賴之魁也。夤緣遭遇，官至防禦使。同時有<span class="專名">張袞臣</span>者，<span class="專名">組</span>之流，亦供奉禁中，號『曲子張觀察』。其後祖述者益眾，嫚戲污賤，古所未有。<span class="專名">組</span>之子知閤門事<span class="專名">勳</span>，字<span class="專名">公顯</span>，亦能文，嘗以家集刻板，欲蓋父之惡，近有旨下<span class="專名">揚州</span>毀其板云。
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