檢視碧雞漫志/卷三/06 的原始碼


<span class="書名">六么</span>，一名『綠腰』，一名『樂世』，一名『錄要』。<span class="專名">元微之</span><span class="書名">琵琶歌</span>云：『<span class="書名">綠腰</span>散序多攏撚』。又云：『管兒還為彈<span class="書名">綠腰</span>，<span class="書名">綠腰</span>依舊聲迢迢。』又云：『逡巡彈得<span class="書名">六么</span>徹，霜刀破竹無殘節。』<span class="專名">沈亞之</span><span class="書名">歌者葉記</span>云：『合韻奏<span class="書名">綠腰</span>』。又志<span class="專名">盧金蘭</span>墓云：『為<span class="書名">綠腰</span>、<span class="書名">玉樹</span>之舞』。<span class="書名">唐史</span><span class="書名">吐蕃傳</span>云：『奏<span class="書名">涼州</span>、<span class="書名">胡渭</span>、<span class="書名">錄要</span>雜曲。』<span class="專名">段安節</span><span class="書名">琵琶錄</span>云：『<span class="書名">綠腰</span>，本<span class="書名">錄要</span>也，樂工進曲，上令錄其要者。』<span class="專名">白樂天</span><span class="書名">楊柳枝</span>詞云：『<span class="書名">六么</span>、<span class="書名">水調</span>家家唱，<span class="書名">白雪</span>、<span class="書名">梅花</span>處處吹。』又<span class="書名">聽歌六絕句</span>內<span class="書名">樂世</span>一篇云：『管急弦繁拍漸稠，<span class="書名">綠腰</span>宛轉曲終頭，誠知<span class="書名">樂世</span>聲聲樂，老病人聽未免愁。<span class="注">「人聽」，一作「殘軀」。</span>』注云：『<span class="書名">樂世</span>，一名<span class="書名">六么</span>。』<span class="專名">王建</span><span class="書名">宮詩</span>云：『琵琶先抹<span class="書名">六么</span>頭』。故知<span class="專名">唐</span>人以『腰』作『么』者，惟<span class="專名">樂天</span>與<span class="專名">王建</span>耳。或云：『此曲拍無過六字者，故曰六么。』至<span class="專名">樂天</span>又獨謂之『樂世』，他書不見也。<span class="書名">青箱雜記</span>云：『曲有<span class="書名">錄要</span>者，錄<span class="書名">霓裳羽衣曲</span>之要拍。』<span class="書名">霓裳羽衣曲</span>乃宮調，與此曲了不相關。士大夫論議，嘗患講之未詳，卒然而發，事與理交違，幸有證之者，不過如聚訟耳；若無人攻擊，後世隨以憒憒，或遺禍于天下，樂曲不足道也。<span class="書名">琵琶錄</span>又云：『<span class="專名">貞元</span>中，<span class="專名">康崑崙</span>琵琶第一手。兩市樓抵鬭聲樂，<span class="專名">崑崙</span>登東綵樓，彈新翻羽調<span class="書名">綠腰</span>，必謂無敵。曲罷，西市樓上出一女郎，抱樂器云：「我亦彈此曲，兼移在楓香調中」。下撥聲如雷，絕妙入神，<span class="專名">崑崙</span>拜請為師。女郎更衣出，乃僧<span class="專名">善本</span>，俗姓<span class="專名">段</span>。』今<span class="書名">六么</span>行于世者四，曰黃鍾羽，即俗呼般涉調；曰夾鍾羽，即俗呼中呂調；曰林鍾羽，即俗呼高平調；曰夷則羽，即俗呼仙呂調；皆羽調也。<span class="專名">崑崙</span>所謂新翻，今四曲中一類乎？或他羽調乎？是未可知也。<span class="專名">段</span>師所謂楓香調，無所著見，今四曲中一類乎？或他調乎？亦未可知也。<span class="專名">歐陽永叔</span>云：『貪看<span class="書名">六么</span>花十八』。此曲內一疊名『花十八』，前後十八拍，又四花拍，共二十二拍。樂家者流所謂『花拍』，蓋非其正也。曲節抑揚可喜，舞亦隨之而舞築球。<span class="書名">六么</span>至花十八，益奇。
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