檢視碧雞漫志/卷一/07 的原始碼


<span class="專名">漢</span>時<span class="書名">雅</span>、<span class="書名">鄭</span>參用，而<span class="書名">鄭</span>為多。<span class="專名">魏</span>平<span class="專名">荊州</span>，獲<span class="專名">漢</span>雅樂，古曲音辭存者四，曰<span class="書名">鹿鳴</span>、<span class="書名">騶虞</span>、<span class="書名">伐檀</span>、<span class="書名">文王</span>；而<span class="專名">李延年</span>之徒，以新聲被寵，復改易音辭，止存<span class="書名">鹿鳴</span>一曲，<span class="專名">晉</span>初亦除之。又<span class="專名">漢</span>代短簫鐃歌樂曲，<span class="專名">三國</span>時存者有<span class="書名">朱鷺</span>、<span class="書名">艾如張</span>、<span class="書名">上之回</span>、<span class="書名">戰城南</span>、<span class="書名">巫山高</span>、<span class="書名">將進酒</span>之類凡二十二曲；<span class="專名">魏</span>、<span class="專名">吳</span>稱號，始各改其十二曲；<span class="專名">晉</span>興，又盡改之，獨<span class="書名">玄雲</span>、<span class="書名">釣竿</span>二曲名存而已。<span class="專名">漢</span>代鼙舞，<span class="專名">三國</span>時存者有<span class="書名">殿前生桂樹</span>等五曲，其辭則亡。<span class="專名">漢</span>代胡角<span class="書名">摩訶兜勒</span>一曲，<span class="專名">張騫</span>得自<span class="專名">西域</span>，<span class="專名">李延年</span>因之更造新聲二十八解，<span class="專名">魏</span>、<span class="專名">晉</span>時亦亡。<span class="專名">晉</span>以來，新曲頗眾，<span class="專名">隋</span>初盡歸清樂；至<span class="專名">唐</span><span class="專名">武后</span>時，舊曲存者，如<span class="書名">白雪</span>、<span class="書名">公莫舞</span>、<span class="書名">巴渝</span>、<span class="書名">白紵</span>、<span class="書名">子夜</span>、<span class="書名">團扇</span>、<span class="書名">懊憹</span>、<span class="書名">石城</span>、<span class="書名">莫愁</span>、<span class="書名">楊叛兒</span>、<span class="書名">烏夜啼</span>、<span class="書名">玉樹後庭花</span>等，止六十三曲；<span class="專名">唐</span>中葉，聲辭存者又止三十七，有聲無辭者七；今不復見。<span class="專名">唐</span>歌曲比前世益多，聲行于今，辭見于今者，皆十之三四——世代差近爾。大抵先世樂府，有其名者尚多；其義存者，十之三；其始，辭存者，十不得一；若其音，則無傳——勢使然也。
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