檢視曲話/卷五/116 的原始碼

<p><span class="專名">何元朗</span>評<span class="專名">施君美</span><span class="書名">幽閨記</span>，稱其『遠出<span class="書名">琵琶</span>上』。<span class="專名">王元美</span>譏之，以為『<span class="專名">元朗</span>好奇之過』。<span class="專名">臧晉叔</span>則以<span class="書名">琵琶</span><span class="書名">梁州序</span>、<span class="書名">念奴嬌序</span>二曲不類<span class="專名">永嘉</span>口吻，意為後人竄入，謂『<span class="專名">元朗</span>稱許<span class="書名">琵琶</span>，自不識所謂<span class="書名">幽閨</span>』。不知作曲各得其性之所近，閱曲者亦嘉其性之所近。即如<span class="專名">若士</span>之才，不可一世，而<span class="書名">紫釵</span>一記，亦長於北而短於南。倘必膠一己偏執之見，輾轉譏彈，務求必勝，亦古人之不幸也。</p>
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