檢視曲話/卷五/112 的原始碼

<p><span class="專名">周</span>韻以上支、紙、寘分作支思韻，下支、紙、寘分作齊微韻，上麻、馬、𧜗分作家麻韻，下麻、馬、𧜗分作車遮韻，而入聲隸之平、上、去三聲，則曲韻不可與詞韻混也。乃<span class="專名">胡文煥</span><span class="書名">文會堂詞韻</span>，平、上、去三聲用曲韻，入聲用詩韻。是韻行而作曲者或捨<span class="專名">周</span>韻而就之，而此道漸有歧途之惑。<span class="專名">沈去矜</span>著<span class="書名">詞韻</span>，以正當世誤用曲韻之病，如肱、轟、崩、烹、盲，弘、鵬等字，<span class="專名">沈</span>韻收入庚梗韻而<span class="專名">周</span>韻收入東鐘韻；浮字<span class="專名">沈</span>韻收入尤有韻，而<span class="專名">周</span>韻收入魚模韻，<span class="書名">詞韻</span>平聲獨用，上、去通用，有三聲通押者而入聲不與，<span class="專名">周</span>韻則四聲通用。是<span class="專名">周</span>韻之斷不可通於詞韻明矣，而近時詞家間以<span class="專名">周</span>韻為詞韻。夫作詞可用<span class="專名">周</span>韻，作曲何不可用<span class="專名">胡</span>韻乎？此中界限原易明悉，而誤者紛出，所不解也。</p>
<noinclude>

{{header|title = [[曲話]]|section = 曲話/卷五/112|previous = [[曲話/卷五/111|111]]|next = [[曲話/卷五/113|113]]}}

</noinclude>