檢視曲話/卷二/015 的原始碼

<p><span class="專名">關漢卿</span><span class="書名">玉鏡臺</span>，<span class="專名">溫嶠</span>上場，自<span class="書名">點絳唇</span>接下七曲，只將古今得志不得志兩種人鋪敘繁衍，與本事沒半點關照，徒覺滿紙浮詞，令人生厭耳。律以曲法，則入手處須於泛敘之中，略露求凰之意，下文情歆彼美，計賺婚姻，文義方成一串；否則突如其來，閱之者又增一番錯愕也。<span class="書名">荊</span>、<span class="書名">劉</span>、<span class="書名">拜</span>、<span class="書名">殺</span>，曲文俚俗不堪。<span class="書名">殺狗記</span>尤惡劣之甚者，以其法律尚近古，故曲譜多引之。<span class="專名">元</span>無名氏有<span class="書名">殺狗勸夫</span>雜劇，四折中已覺鋪敘費力，況伸為全部，無怪其一覽無餘味也。</p>
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{{header|title = [[曲話]]|section = 曲話/卷二/015|previous = [[曲話/卷二/014|014]]|next = [[曲話/卷二/016|016]]}}

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