檢視曲話/卷三/063 的原始碼

<p><span class="專名">蔣心餘</span>太史<span class="專名">士銓</span>九種曲，吐屬清婉，自是詩人本色。不以矜才、使氣為能，故近數十年作者，亦無以尚之。其至離奇變幻者，莫如<span class="書名">臨川夢</span>，竟使<span class="專名">若士</span>先生身入夢境，與四夢中人一一相見。請君入瓮，想入非非；娓娓清言，猶餘技也。<span class="書名">桂林霜</span>、<span class="書名">一片石</span>、<span class="書名">第二碑</span>、<span class="書名">冬青樹</span>四種，皆有功名教之言。忠魂、烈魄，一入腕中，覺滿紙颯颯，尚餘生氣。<span class="書名">香祖樓</span>、<span class="書名">空谷香</span>兩種，於同中見異，最難下筆。蓋<span class="專名">夢蘭</span>與<span class="專名">淑蘭</span>皆淑女也，<span class="專名">孫虎</span>與<span class="專名">李蚓</span>皆繼父也，<span class="專名">吳</span>公子與<span class="專名">扈</span>將軍皆樊籠也，<span class="專名">紅絲</span>、<span class="專名">高駕</span>皆介紹也，<span class="專名">成</span>君、<span class="專名">裴畹</span>皆故人也，且小婦皆薄命而大婦皆賢淑也，使出自俗筆，難免雷同，乃合觀兩劇，非惟不犯重複，且各極其錯綜變化之妙，故稱神技。<span class="書名">四絃秋</span>因<span class="書名">青衫記</span>之陋，特創新編，順次成章，不加渲染，而情詞悽切，言足感人，幾令讀者盡如<span class="專名">江州</span>司馬之淚濕青衫也。<span class="書名">雪中人</span>一劇，寫<span class="專名">吳六奇</span>，頰上添毫，栩栩欲活；以<span class="書名">花交</span>折結束通部，更見匠心獨巧。<span class="專名">心餘</span>強<span class="專名">袁子才</span>觀其所撰曲，曰：『先生只當小病一場，寵賜披覽。』<span class="專名">袁</span>不得已，觀之。次日，問：『可有得意處否？』<span class="專名">袁</span>曰：『「任爾忒聰明，猜不出天情性」，惟兩語極佳耳。』<span class="專名">心餘</span>笑曰：『畢竟先生是詩人，非曲客。「造物豈憑翻覆手，窺天難用揣摩心。」此<span class="專名">商寶意</span><span class="書名">聞雷詩</span>，為予曲之藍本也。』</p>
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