檢視曲藻/序的原始碼

<h3 class="th3a"><span class="序題">曲藻序</span></h3>
<p>曲者，詞之變。自<span class="專名">金</span>、<span class="專名">元</span>入主中國，所用胡樂，嘈雜淒緊，緩急之間，詞不能按，乃更為新聲以媚之。而諸君如<span class="專名">貫酸齋</span>、<span class="專名">馬東籬</span>、<span class="專名">王實甫</span>、<span class="專名">關漢卿</span>、<span class="專名">張可久</span>、<span class="專名">喬夢符</span>、<span class="專名">鄭德輝</span>、<span class="專名">宮大用</span>、<span class="專名">白仁甫</span>輩，咸富有才情，兼喜聲律，以故遂擅一代之長。所謂『<span class="專名">宋</span>詞、<span class="專名">元</span>曲』，殆不虛也。但大江以北，漸染胡語，時時採入，而<span class="專名">沈約</span>四聲遂闕其一。東南之士未盡顧曲之<span class="專名">周郎</span>，逢掖之間，又稀辨撾之<span class="專名">王應</span>。稍稍復變新體，號為『南曲』。<span class="專名">高拭</span><span class="專名">則成</span>，遂掩前後。大抵北主勁切雄麗，南主清峭柔遠，雖本才情，務諧俚俗。譬之同一師承，而頓、漸分教；俱為國臣，而文、武異科。今談曲者往往合而舉之，良可笑也。</p>
<p class="署名"><span class="專名">弇州山人</span><span class="專名">王世貞</span>著。</p>

<noinclude>

{{header|title = [[曲藻]]|section =曲藻/序|next = [[曲藻/1]]}}

</noinclude>