檢視徐復祚曲論/14 的原始碼

<p><span class="專名">梁伯龍</span><span class="夾注"><span class="專名">辰魚</span></span>作<span class="書名">浣紗記</span>，無論其關目散緩、無骨無筋、全無收攝，即其詞亦出口便俗，一過後便不耐再咀；然其所長，亦自有在：不用<span class="專名">春秋</span>以後事，不裝八寶，不多出韻，平仄甚諧，宮調不失，亦近來詞家所難。獨一最可笑，而人不知：<span class="專名">吳</span>、<span class="專名">越</span>之在當時，稱王久矣，王則車馬、服御、位號、稱呼儼然一天子矣，故有郊臺，有柴望，<span class="專名">夫差</span>、<span class="專名">勾踐</span>亦偃然不復知有<span class="專名">周</span>天王矣，而<span class="專名">胥</span>、<span class="專名">嚭</span>、<span class="專名">種</span>、<span class="專名">蠡</span>稱曰『主公』，何也？<span class="專名">孟子</span>在<span class="專名">梁</span>，稱<span class="專名">惠王</span>曰『王好戰』，不聞主公<span class="專名">惠王</span>也，在<span class="專名">齊</span>稱<span class="專名">宣王</span>曰『今王發政施仁』，不聞主公<span class="專名">宣王</span>也，此何異三家村童子不知厥父稱呼，而曰『我家老子』也，陋甚矣！</p>

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