檢視徐復祚曲論/付録31 的原始碼

<p>我<span class="專名">吳</span>音宜幼女清歌按拍，故南曲委宛清揚。北音宜將軍鐵板歌『大江東去』，故北曲硬挺直截。今學士大夫凡為文章、騷、賦、銘、誄、詩、詞，所斤斤奉若三尺，不敢一字相假者，非<span class="專名">沈約</span><span class="書名">四聲韻</span>乎？其<span class="專名">金</span>、<span class="專名">元</span>詞曲、傳奇、樂府，始宗<span class="專名">周德清</span><span class="書名">中原音韻</span>，特作詞人與歌工集之耳，學士大夫不知也。然二公之韻，大有可商。……大率吾輩為<span class="專名">唐</span>律、絕句，自應用<span class="專名">唐</span>韻；為古體，自應用古韻；若夫作曲，則斷當從<span class="書名">中原音韻</span>，一入<span class="專名">沈約</span>四聲，如前所拈出數處，不但歌者棘喉，聽者亦自逆耳。試觀<span class="專名">元</span>人<span class="專名">馬</span>、<span class="專名">關</span>、<span class="專名">王</span>、<span class="專名">鄭</span>諸公雜劇，有是病否？或曰：『若然，則「新篁池閣」，當作「池果」唱乎？恐笑破人口也。』曰：『不然。以閣字輕出，而後收之以果。此在凡入聲皆然，不但一閣字，觸類可通。此唯吾友<span class="專名">秦季公</span>知之，近唯<span class="專名">松陵</span><span class="專名">沈平輿</span>；若<span class="專名">張伯起</span>，則純是庚青零丁齒音矣。』</p>

<noinclude>

{{header|title = [[徐復祚曲論]]|section =徐復祚曲論/付録31|previous = [[徐復祚曲論/付録30]]}}

</noinclude>