檢視南詞敘錄/2 的原始碼



今南九宮不知出於何人，意亦國初教坊人所為，最為無稽可笑。夫古之樂府，皆叶宮調；<span class="專名">唐</span>之律詩、絕句，悉可絃詠，如『<span class="專名">渭城</span>朝雨』演為三疊是也。至唐末，患其聞有虛聲難尋，遂實之以字，號長短句，如<span class="專名">李太白</span><span class="書名">憶秦娥</span><span class="書名">清平樂</span>，<span class="專名">白樂天</span><span class="書名">長相思</span>，已開其端矣；<span class="專名">五代</span>轉繁，考之<span class="書名">尊前</span><span class="書名">花間</span>諸集可見；<span class="專名">宋</span>則又引而伸之，至一腔數十百字，而古意頗微。<span class="專名">徽宗</span>朝，<span class="專名">周</span>、<span class="專名">柳</span>諸子，以此貫彼，號曰『側犯』『二犯』『三犯』『四犯』轉碾波蕩，非復<span class="專名">唐</span>人之舊。晚<span class="專名">宋</span>，而時文、叫吼，盡入宮調，益為可厭。『永嘉雜劇』興，則又即村坊小曲而為之，本無宮調，亦罕節奏，徒取其畸農、市女順口可歌而已，諺所謂『隨心令』者，即其技歟？間有一二協音律，終不可以例其餘，烏有所謂九宮？必欲窮其宮調，則當自<span class="專名">唐</span>、<span class="專名">宋</span>詞中別出十二律、二十一調、方合古意。是九宮者，亦烏足以盡之？多見其無知妄作也。

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{{header|title = [[南詞敘錄]]|section =南詞敘錄/2|previous = [[南詞敘錄/1]]|next = [[南詞敘錄/3]]}}

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