檢視南北詞簡譜/卷二/北仙呂宮/端正好的原始碼

<h4 class="曲牌名"><span class="牌">端正好</span><span class="來源">《金線池》</span></h4>
<p class="曲"><span class="襯字"><ruby>說<rt>上</rt></ruby>鄭生</span>遇妖狐<sub class="押韻">叶</sub>。<span class="襯字">崔韜</span>逢雌虎<sub class="押韻">叶</sub>。<span class="襯字">恰向那</span>大<ruby>曲<rt>上</rt></ruby>內盡是寒儒<sub class="押韻">叶</sub>。<span class="襯字">想那</span>知音曉古人家女<sub class="押韻">叶</sub>。<span class="襯字">都</span>待與<span class="襯字">秀才<ruby>每<rt>平</rt></ruby></span>為夫婦<sub class="押韻">叶</sub>。</p>
<p class="按語">此是楔子，不入套數。末句須「仄仄平平去」，且通本可以增句，惟須在第四句下，如此劇<span class="牌">么篇</span>云：</p>
<p class="引用曲"><span class="襯字">那<ruby>一<rt>上</rt></ruby>片</span>俏心腸<sub class="押韻">不</sub>。<span class="襯字">那裡<ruby>每<rt>平</rt></ruby></span>堪分付<sub class="押韻">叶</sub>。<span class="襯字">那</span>蘇小卿<ruby>不<rt>上</rt></ruby>辨賢愚<sub class="押韻">叶</sub>。<span class="襯字">我若是</span>五<ruby>十<rt>平</rt></ruby><span class="襯字">年</span><ruby>不<rt>上</rt></ruby>見雙通<ruby>叔<rt>上</rt></ruby><sub class="押韻">叶</sub>。<span class="注">以上為本調前四句</span><span class="襯字">休道是</span>蘇媽媽<sub class="押韻">不</sub>。<span class="襯字">也<ruby>不<rt>上</rt></ruby>是</span>醉驢驢<sub class="押韻">叶</sub>。<span class="襯字">我是他</span>親生女<sub class="押韻">可不</sub>。<span class="襯字">又<ruby>不<rt>上</rt></ruby>是</span>買來奴<sub class="押韻">叶</sub>。<span class="襯字">遮莫拷的我</span>皮<ruby>肉<rt>去</rt></ruby>爛<sub class="押韻">不</sub>。<span class="襯字">凍<ruby>的<rt>上</rt></ruby>我</span>骨髓酥<sub class="押韻">叶</sub>。<span class="注">以上是增句</span><span class="襯字">我怎肯跟將那</span>販茶<span class="襯字"><ruby>的<rt>上</rt></ruby></span>馮<ruby>魁<rt>去</rt></ruby><sub class="押韻">叶</sub>。</p>
<p class="按語">可知增句不論多少，實則將首二句重疊敷衍成之也。舊譜謂惟<span class="牌">么篇</span>可增，首曲則否，蓋即由此劇誤會，試問《西廂》第十三折「為小姐玉精神」一曲，可強指為<span class="牌">么篇</span>乎。案楔子至多二曲，而此劇增句，適在<span class="牌">么篇</span>，遂有此望文生義之議論也。《廣正譜》又將<span class="牌">么篇</span>首句作七字語，更誤。</p>
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