檢視劇話/卷上/07 的原始碼

<p><span class="專名">葉子奇</span><span class="書名">草木子</span>：『戲文始于<span class="書名">王魁</span>，<span class="專名">永嘉</span>人作之。識者曰：「若見<span class="專名">永嘉</span>人作相，<span class="專名">宋</span>當亡。」及<span class="專名">宋</span>將亡，乃<span class="專名">永嘉</span><span class="專名">陳宜中</span>作相。其後<span class="專名">元</span>朝南戲尚盛行。及當亂，北院本特盛，南戲遂絕。』<span class="書名">莊岳委談</span>：『今<span class="書名">王魁</span>本不傳而傳<span class="書名">琵琶</span>。<span class="書名">琵琶</span>亦<span class="專名">永嘉</span>人作，遂為今南曲首。然<span class="專名">葉</span>當國初著書，而云「南戲絕」，豈<span class="書名">琵琶</span>尚未行世耶？』按：南戲肇始，實在北戲之先，而<span class="書名">王魁</span>不傳，<span class="專名">胡</span>氏<span class="專名">王實甫</span><span class="專名">關漢卿</span><span class="書名">西廂</span>為戲文祖耳。今戲曲合用南北腔調又始于<span class="專名">杭</span>人<span class="專名">沈和甫</span>，見<span class="專名">鍾</span>氏<span class="書名">點鬼簿</span>。</p>
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