檢視何良俊曲論/5 的原始碼

<p><span class="專名">元</span>人樂府稱<span class="專名">馬東籬</span>、<span class="專名">鄭德輝</span>、<span class="專名">關漢卿</span>、<span class="專名">白仁甫</span>為四大家。<span class="專名">馬</span>之詞老健而乏姿媚，<span class="專名">關</span>之詞激厲而少蘊藉，<span class="專名">白</span>頗簡淡，所欠者俊語，當以<span class="專名">鄭</span>為第一。<span class="專名">鄭德輝</span>雜劇，<span class="書名">太和正音譜</span>所載總十八本，然入絃索者惟<span class="書名">梅香</span>、<span class="書名">倩女離魂</span>、<span class="書名">王粲登樓</span>三本。今教坊所唱，率多時曲，此等雜劇古詞，皆不傳習，三本中獨<span class="書名">梅香</span>頭一折<span class="書名">點絳唇</span>尚有人會唱，至第二折『驚飛幽鳥』，與<span class="書名">倩女離魂</span>內『人去陽臺』、<span class="書名">王粲登樓</span>內『塵滿征衣』，人久不聞，不知絃索中有此曲矣。</p>

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{{header|title = [[何良俊曲論]]|section =何良俊曲論/5|previous = [[何良俊曲論/4]]|next = [[何良俊曲論/6]]}}

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