檢視何良俊曲論/4 的原始碼

<p><span class="專名">金</span>、<span class="專名">元</span>人呼北戲為雜劇，南戲為戲文。近代人雜劇以<span class="專名">王實甫</span>之<span class="書名">西廂記</span>，戲文以<span class="專名">高則誠</span>之<span class="書名">琵琶記</span>為絕唱，大不然。夫詩變而為詞，詞變而為歌曲，則歌曲乃詩之流別；今二家之辭，即譬之<span class="專名">李</span>、<span class="專名">杜</span>，若謂<span class="專名">李</span>、<span class="專名">杜</span>之詩為不工，固不可；苟以為詩必以<span class="專名">李</span>、<span class="專名">杜</span>為極致，亦豈然哉。祖宗開國，尊崇儒術，士大夫恥留心辭曲，雜劇與舊戲文本皆不傳，世人不得盡見，雖教坊有能搬演者，然古調既不諧於俗耳，南人又不知北音，聽者即不喜，則習者亦漸少，而<span class="書名">西廂</span>、<span class="書名">琵琶記</span>傳刻偶多，世皆快睹，故其所知者，獨此二家。余所藏雜劇本幾三百種，舊戲本雖無刻本，然每見於詞家之書，乃知今<span class="專名">元</span>人之詞，往往有出於二家之上者。蓋<span class="書名">西廂</span>全帶脂粉，<span class="書名">琵琶</span>專弄學問，其本色語少。蓋填詞須用本色語，方是作家，苟詩家獨取<span class="專名">李</span>、<span class="專名">杜</span>，則<span class="專名">沈</span>、<span class="專名">宋</span>、<span class="專名">王</span>、<span class="專名">孟</span>、<span class="專名">韋</span>、<span class="專名">柳</span>、<span class="專名">元</span>、<span class="專名">白</span>，將盡廢之耶？</p>

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{{header|title = [[何良俊曲論]]|section =何良俊曲論/4|previous = [[何良俊曲論/3]]|next = [[何良俊曲論/5]]}}

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