檢視何良俊曲論/30 的原始碼

<p>清彈琵琶，稱<span class="專名">正陽</span><span class="專名">鍾秀之</span>。<span class="專名">徽州</span><span class="專名">查八十</span>有厚貲，好琵琶，縱浪江湖，至<span class="專名">正陽</span>訪之，持侍生刺投謁。<span class="專名">鍾</span>令人語之曰：『使尋常人來見，則宜稱「侍生」。吾聞<span class="專名">查八十</span>以琵琶遊江湖，今日來謁，非執弟子禮，我斷不出。』<span class="專名">查</span>言：『吾固聞<span class="專名">秀之</span>名，然未見其佳；使果奇，執弟子禮未晚。』<span class="專名">鍾</span>取琵琶於照壁後一曲，<span class="專名">查</span>膝行而前，稱弟子。留處數月，盡<span class="專名">鍾</span>之伎而歸。友人<span class="專名">王亮卿</span>，<span class="專名">徽州</span>人，有俊才，能詩，嘗言：『昔年入試留都，聞<span class="專名">查八十</span>在<span class="專名">上河</span>，往訪之，相期飲於妓館，欲聽其琵琶。<span class="專名">查</span>曰：「妓人琵琶，吾一掃即四絃俱絕，須攜我串用者以往。」<span class="專名">亮卿</span>設酒於舊院<span class="專名">楊</span>家，<span class="專名">楊</span>亦世代以琵琶名。酒半，<span class="專名">查</span>取琵琶彈之，有一妓女占板，甫一二段，其家有瞎媽媽，最知音，連使人來言：「此官人琵琶與尋常不同，汝占板俱不是。」半曲後，使女子扶憑而出，問<span class="專名">查</span>來歷，<span class="專名">查</span>云是<span class="專名">鍾秀之</span>徒弟。此媽媽舊與<span class="專名">秀之</span>相處，與<span class="專名">查</span>相持而泣，留連不忍別。</p>

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