檢視何良俊曲論/1 的原始碼

<h2 class="th2a"><span class="卷首題">曲論</span></h2>
<p class="作者">明•何良俊著</p>
<p>昔<span class="專名">師曠</span>吹律，而知南風之不競；有人彈琴，見螳螂向鳴蟬，欲其得之也，<span class="專名">蔡</span>中郎聞其音而知有殺心；<span class="專名">隋煬帝</span>將幸<span class="專名">江都</span>，作翻調<span class="書名">安公子</span>曲，<span class="專名">王令言</span>知其不反；<span class="專名">唐</span><span class="專名">章懷</span>太子作<span class="書名">寶慶曲</span>，<span class="專名">李嗣真</span>聞而知太子廢：古之審音者，其神妙如此。今世律法亡矣，余何能知之？蓋因小時喜聽曲，中年病廢，教童子習唱，遂能解其音調，知其節拍而已。<span class="專名">魏文帝</span><span class="書名">善哉行</span>內云：『知音識曲，善為樂方。』或庶幾焉耳。茲以論詞曲之語，附載於篇末。</p>

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